The characters of Javier Calleja, with their watery gazes oscillating between sadness and mischief, embody an intermediate zone where the imaginary and the real coexist without friction, creating a space where art can still touch us without the need for convoluted explanations.

Dana Schutz creates monumental canvases where distorted figures, impossible bodies, and situations so unlikely that they become terrifyingly true coexist. Her paintings are like distorting mirrors of our society, reflecting our collective anxieties.

In Mohammed Sami’s paintings, everyday objects pulse with eerie strangeness. The shadow of a plant turns into a menacing spider, a rolled-up carpet evokes a shrouded body. His technical mastery transforms pictorial matter into a theater of struggle between revelation and concealment.

The work of Robert Longo strikes with its exceptional mastery of black and white. Through his monumental charcoal drawings, he captures the critical moments of our time, transforming media images into contemporary icons of striking power.

Tony Cragg reshapes our perception of contemporary sculpture, crafting forms that blur the lines between the organic and the industrial. In his Wuppertal studio, he orchestrates symphonies of shapes that redefine our understanding of the material world.